Three of the bedrooms at Doddington Hall are decorated with the most incredible Flemish tapestries, dating back to the 17th century.
Created in around 1620, these tapestries were likely once part of a much larger set of textile hangings. It is not known how or when the tapestries came to be at Doddington, but it is thought that the Hussey family, had them hung at some point during their occupation in the seventeenth century.
The hanging tapestries depict ‘Scenes from Rural Life’ and ‘The Trojan Wars’. Though they appear luxurious, the hangings are in fact rare survivors of the cheaper, “off-the-peg” tapestries produced during this period. Finer examples were generally better cared for and have survived in far greater numbers.
When later owner John Delaval refurbished Doddington in 1762, he had the tapestries cut up and nailed to the walls in three of the bedrooms. By this point, the tapestries were already 150 years old, so it is believed they were part of a fascinating early example of a ‘retro’ or antiquarian decorative scheme. Reusing them in this would have saved money on decorating – and helped to keep the bedrooms warm.
When they were removed from their original position, they were cut to fit the rooms they now hang in – much like wallpaper. If you look closely, you can spot areas where parts of the scenes don’t quite align. Some of the original offcuts have since been salvaged and are now displayed in the Hall.
The tapestries remained in the bedrooms until 2010, until an ambitious conservation programme was launched by the Doddington Hall Conservation Charity in collaboration with the University of Lincoln.
See the
Tapestries
Still in their original hanging locations, the tapestries can be viewed with an entry ticket to the Hall. They're well worth the trip!
The Tapestry Conservation Project
After centuries of exposure to coal dust and UV light from the sun, a decision was made in 2010 to remove, clean and conserve the tapestries for future generations.
Made possible through the generous support of our funders, this ground-breaking conservation project was carried out by students and staff from the University of Lincoln’s conservation courses, alongside students from the Bishop Grosseteste’s Heritage Education course. Many of the conservators involved with the project were also alumnae of University of Lincoln.
Visit the Hall today to learn more about the conservation project – and see the tapestries restored to their former glory.
Thinking about
stopping by?
With so much to do at Doddington, it can be hard to fit everything into just one day. So here are a few useful things to know before you set off:
Tapestry
Conservation
The Doddington Hall Tapestry Conservation Project was carried out by a dedicated team of qualified textile conservators. With a variety of different skills and backgrounds, together they worked to safeguard these incredible textiles for the future.
Doddington Hall
Conservation
The Doddington Conservation Charity was conceived to conserve, restore and protect the natural and cultural heritage of Doddington for the long-term benefit of the wider community.
Funding &
Partners
The support of our partners is vital to our future. Without them this project – and other projects like it – wouldn’t have been possible.
More about
The tapestries
Written by Leah Warriner-Wood and Helen Wyld, Tapestries at Doddington Hall: Collecting, Conservation and Display, examines the tapestries in further detail.
Discover more
Collections
Wagon Collection
Located in our Stable Yard, the Doddington Wagon Shed houses a fascinating collection of English farm wagons, collected by Claire’s father, Antony Jarvis, since the 1960s.
Uniform Collection
The MC Tsen Military Uniform Collection features an impressive array of uniforms, accessories and memorabilia, offering a fascinating insight into military history.
Artwork Collection
Doddington Hall is home to a wealth of priceless artwork, from the monumental painting by Joshua Reynolds in the Long Gallery to the hand-drawn illustrations passed down through owner Claire's family.
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