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22nd July –

This week’s
Opening Times

The Hall
  • Monday Closed
  • Tuesday Closed
  • Wednesday 11am - 4pm*
  • Thursday Closed
  • Friday 11am - 4pm*
  • Saturday Closed
  • Sunday 11am - 4pm*

* Last entry 3pm

The Gardens
  • Monday Closed
  • Tuesday Closed
  • Wednesday 10am - 4pm*
  • Thursday 10am - 4pm*
  • Friday 10am - 4pm*
  • Saturday 10am - 4pm*
  • Sunday 10am - 4pm*

* Last entry 3pm

Grain Store Restaurant & Bar
  • Monday 8.30am - 5pm
  • Tuesday 8.30am - 5pm
  • Wednesday 8.30am - 5pm
  • Thursday 8.30am - 5pm
  • Friday 8.30am - 5pm
  • Saturday 8.30am - 5pm
  • Sunday 8.30am - 4pm
Grain Store Café
  • Monday 8.30am - 5pm
  • Tuesday 8.30am - 5pm
  • Wednesday 8.30am - 5pm
  • Thursday 8.30am - 5pm
  • Friday 8.30am - 5pm
  • Saturday 8.30am - 5pm
  • Sunday 8.30am - 4pm
Farm Shop Café
  • Monday 9am - 4pm
  • Tuesday 9am - 4pm
  • Wednesday 9am - 4pm
  • Thursday 9am - 4pm
  • Friday 9am - 4pm
  • Saturday 9am - 4pm
  • Sunday 9am - 4pm
The Farm Shop
  • Monday 9am - 5pm
  • Tuesday 9am - 5pm
  • Wednesday 9am - 5pm
  • Thursday 9am - 5pm
  • Friday 9am - 5pm
  • Saturday 9am - 5pm
  • Sunday 10am - 4pm
Doddington at Home
  • Monday 9.30am - 5pm
  • Tuesday 9.30am - 5pm
  • Wednesday 9.30am - 5pm
  • Thursday 9.30am - 5pm
  • Friday 9.30am - 5pm
  • Saturday 9.30am - 5pm
  • Sunday 10am - 4pm
Doddington Country Clothing
  • Monday 9.30am - 5pm
  • Tuesday 9.30am - 5pm
  • Wednesday 9.30am - 5pm
  • Thursday 9.30am - 5pm
  • Friday 9.30am - 5pm
  • Saturday 9.30am - 5pm
  • Sunday 10am - 4pm
Giant Lincoln Bike Shop
  • Monday 8.30am - 5pm
  • Tuesday 8.30am - 5pm
  • Wednesday 8.30am - 5pm
  • Thursday 8.30am - 5pm
  • Friday 8.30am - 5pm
  • Saturday 8.30am - 5pm
  • Sunday 10am - 4pm
Doddington Padel Courts
  • Monday 7am - 10pm
  • Tuesday 7am - 10pm
  • Wednesday 7am - 10pm
  • Thursday 7am - 10pm
  • Friday 7am - 10pm
  • Saturday 7am - 10pm
  • Sunday 7am - 10pm
Estate Walks
  • Monday Dawn til dusk
  • Tuesday Dawn til dusk
  • Wednesday Dawn til dusk
  • Thursday Dawn til dusk
  • Friday Dawn til dusk
  • Saturday Dawn til dusk
  • Sunday Dawn til dusk

Martin Jarvis

Martin Jarvis is a self-taught fabricator and kinetic sculptor based in Andover, Hampshire, where he creates his work from a garden shed at home. Drawing deeply from his engineering background, his artistic vision seamlessly blends practical expertise with a passionate commitment to meticulous design and construction.


Martin Jarvis is a self-taught fabricator and kinetic sculptor based in Andover, Hampshire, where he creates his work from a garden shed at home. Drawing deeply from his engineering background, his artistic vision seamlessly blends practical expertise with a passionate commitment to meticulous design and construction.

His primary medium is welded stainless steel, a material he chooses for its exceptional durability and resilience. This ensures his sculptures withstand the test of time and harsh environmental conditions while continuing to retain their aesthetic beauty, embodying a sense of permanence in an ever-changing world.

Kinetic art holds a special fascination for him, with its capacity for movement and interaction with the environment. While his sculptures possess their own quiet beauty when still, they truly come alive under the influence of wind and sunlight. Animated by breezes, they cast dynamic shadows and capture shifting reflections of light, transforming static forms into living entities that engage actively with their surroundings. This interplay evokes curiosity in viewers, inviting them to explore the delicate relationship between art and nature.

The kinetic elements encourage contemplation of the beauty of motion and the ephemeral qualities of life itself. He continually experiments with new designs and mechanisms to push the boundaries of kinetic art, acknowledging that not every attempt meets with success.

His ultimate aim is to create enduring sculptures that enrich the spaces they inhabit, inspire reflection, and spark meaningful dialogue—connecting people to the grace of movement, the strength of fine craftsmanship, and the rhythms of the natural world.


The Eternal Flame

  • Dimensions 60 x 60 x 270 cm
  • Medium Stainless Steel
  • Edition 2 of 5
  • Weight 35 kg
  • Price £4,000

The Irregularity

  • Dimensions 95 x 95 x 270 cm
  • Medium Stainless Steel
  • Edition 3 of 5
  • Weight 60 kg
  • Price £4,000

Thinking about
stopping by?

With so much to do at Doddington, it can be hard to fit everything into just one day. So here are a few useful things to know before you set off:

Discover more
Sculptors

Martin Adamson

Martin’s sculptures capture a moment in time, a fleeting glimpse of a beautiful animal in its natural environment. His practice is rooted in close observation, aiming to convey both movement and stillness in equal measure.

Val Adamson

Val Adamson is a figurative sculptor. Initially sculpting figures in clay, Val then casts her pieces into bronze, bronze resin and iron resin. 

Louise Bandy

Louise Bandy creates galvanised wire sculptures of animals and birds that express movement held at its edge – as if the creature might breathe or shift at any moment. Her work is rooted in a lifelong fascination with the individuality, character and presence of animals.

Lloyd Le Blanc

Lloyd Le Blanc’s sculpture is deeply inspired by the movement and stillness of water, as well as the diverse landscapes inhabited by indigenous and exotic birds and animals. His work captures fleeting natural moments with remarkable sensitivity, bringing vitality and presence to each subject. Drawing on an extensive knowledge of bronze casting, Le Blanc achieved an exceptional range in scale, detail, and composition, allowing his pieces to convey both strength and delicacy.

Patrick Bull

Working from his studio on the Hampshire-Wiltshire border, Patrick Bull is surrounded by rolling downland and ancient woodlands like Savernake Forest, landscapes that continually inspire his practice.

Pippa Burley

Pippa Burley is an established figurative sculptor, exhibiting her pieces widely for over 25 years, and is held in many private collections, both in this country and abroad. Initially working purely from life, Pippa’s approach has developed into semi-abstracted forms, much influenced by Giacometti and Modigliani. All her work begins life in clay.  Some forms she chooses to fire, others she casts, using the time-honoured method of waste moulding and Ciment Fondue casting.

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